He writes, 'The head is tipped slightly to one side and down. He looks Jewish. He looks very tired. Some of the color has flaked away. His eyes are closed. That was the face that moved me and stayed with me more in a way than all the others, though not because it was Jesus' face, as far as I can remember, but just because it seemed the face of a human being to whom everything had happened that can happen. It was a face of great stillness, a face that had survived. It was as if in the picture I caught a glimpse of someone whose presence I noted in a different way from the others ... what haunted me was so strong a feeling of the painter's having in some unimaginable way caught the likeness just right that it was as if, without knowing it, I had already seen deep within myself some vision of what he looked like or what I hoped he looked like.'